The Things That Really Matter
‘The first day going into Creation, scrawled on the wall behind Tim Abbott’s desk in big black felt pen was ‘Northern Ignorance’ and I thought, ‘That kind of describes me, I fucking love this place already, I’ve not been here two minutes’
Continue reading “Film Review: Upside Down: The Creation Records Story – 8.5/10”
Is making a film that will be horribly dated in five years brave or just stupid?
If Shane Meadows directorial breakthrough Dead Man’s Shoes was about loss of innocence, the follow up This Is England portrays what comes next…
Pointless remake offers nothing new…
I have seen actual home movies that I enjoyed more than this…
The huge financial success of Blair Witch Project and Paranormal Activity opened the door for anyone with a video camera to have a crack at the big time. Home Movie is another distinctly average addition to a bloated genre.
The two adults leads have no chemistry and are both obnoxious and difficult to like. The message of science vs religion is clumsy and too ostentatious and the plot is unrealistic. The only thing that saves Home Movie from Mothman territory is the performance of the two young leads who terrorise their beleaguered parents and provide some genuinely chilling moments.
I have been hyper critical about found footage films in the past and Home Movie proves that for every great film in this genre there are 20 shit ones. Home Movie falls squarely into the latter camp.
Lunar loneliness and a shit load of Sam Rockwell’s…
‘The Ring’ on Elm Street…
The Twilight Zone meets X-Men…
The Signal starts off as a relatively straight forward hacker road trip but then quickly takes a turn for the bizarre and never stops turning. A young cast featuring the decent Brenton Thwaites, the slightly better Olivia Cooke and the brilliant Beau Knapp is held together by veteran actor Laurence Fishburne who is suitably sinister as a mysterious scientist.
A common criticism of films of this ilk is that they can’t decide what they want to be. The Signal director William Eubank doesn’t seem to care much for choosing a genre as The Signal flits between Sci-Fi, Action, Romantic Drama and Found Footage horror. This seems to have been a deliberate choice on Eubank’s part to disorientate the viewer however, rather than a lack of ideas.
Eubank mixes some grandiose ideas and Terrence Malick-esque arty direction with over the top plot twists to create a baffling but compelling viewing experience. The Signal is not a film you will forget in a hurry but the pay off of the final twist at the end is offset by the fact that rest of the film is so weird which reduces any shock value.
I don’t know what genre The Signal is supposed to be, I don’t know what the message of The Signal is supposed to be, hell I don’t even know if it is any good or not. I do know that it left me wanting more though and that is always a good thing.
Director Leigh Wannell plays to Insidious’ strengths with scare by numbers sequel…
‘Isn’t it strange, to create something that hates you?’
